the red hand files

Image: Paste-up of Nick Cave—smiling!

Image: Paste-up of Nick Cave—smiling!

Recently I discovered Nick Cave’s site, ‘The Red Hand Files’. 

For those who don't know his work, the title comes from one of the Bad Seeds’ iconic songs, Red Right Hand (album, Let Love In). On this site fans, or whoever feels inclined, ask Nick Cave questions and he answers them in the form of a letter. 

Nick Cave is a wordsmith, a great writer. Reading his letters I was moved by his eloquence, directness and honesty in answering questions broaching issues of what is love, the nature of grief, personal demons, self-loathing, inspiration and influences. His distinctive voice reaches out, plumbing the depths of being human, or admitting to not having a clue, but signalling a resonance with his audience that we’re all in this life-journey together. 

 Here’s a letter answering questions: “Do you have a harsh inner critic?” and “Did you ever want to simply give up and quit, because of your inner voice? Have you ever suffered a crisis of confidence?”:

Dear Ursula, Joe, Rod and Sophia and many more,

I don’t know how many times I have been asked this question, or a version of it, in The Red Hand Files. Let me say this – the ‘harsh inner critic’ that you speak of is in no way unique to you. The truth is that virtually anybody who is trying to do anything worthwhile at all, especially creatively, has seated in his or her brain, a horrible homunculus that blows a dreadful little trumpet, and only knows one song – a song that goes, “You are not good enough. Why bother?” This evil little gnome is full of bad jazz, and is, in the words of author Sam Harris, “an asshole.” The enemy of aspiration, this atrocious inner voice demands you turn away from whatever your higher calling may be and become a second-rate, cut-price version of yourself. As your very own personal detractor it is deeply persuasive in its dark business. Many of us listen, many of us accept its message, and many of us throw up our hands and give in. The problem is, of course, that this inner voice, this monstrous homunculus, is you.

The creative act is an act of war – but as much as this inner critic is your adversary, it is also fundamental to the creative process. It is what anyone worth their salt is doing battle with all the time – we are in a perpetual dogfight with the lesser version of ourselves. To lose the battle is to become the embodiment of the homunculus itself. Defeated, we do nothing but sit in perpetual judgment of the world, idly watching, as it goes down in flames. As vicious as this fight with our own selves may be, it is this very conflict that puts the blood in the art, the tears too, and carves the battle scars deep into the work itself.

The world, for all its failings, is an extraordinary experiment in rampant human imagination. At its best, it exists because there were people who had the courage to follow through on an idea – who resisted the inner voice that said, “You are worthless. Why bother?”

I’ve said it before. Beautiful ideas abound. These ideas swim around us, ideas that can be of immense utility to world. Some ideas have our singular names inscribed upon them and it is our responsibility to reach beyond our lesser selves to the brightest version of what we can be and breathe life into these ideas. This act of reaching is almost always accompanied by the wretched homunculus and its dreary anthem of personal incompetence, but it is our sacred duty, to turn around and kick this little fucker in the balls. The fight with the dark force inside us is the forge in which true art is formed.

Love, Nick

P.S.  A homunculus is a very small human or humanoid creature.

(source: https://www.theredhandfiles.com/)

I'm not chic

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Japanese band, noodles, just released a new album I’m not chic with this awesome album cover artwork by Yoshitomo Nara.

Yep, I’m so not chic.

Notre Dame

Image: @shakespeareandcoparis

Image: @shakespeareandcoparis

Notre Dame, the morning after the fire.

Still can’t believe it.

stars down

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Mood—chill.

Love this—So Inagawa’a remix of mouse on the keys’ track Stars Down, featuring Dominique Fils-Aime.

Check it out.

more poetry

Artwork: Jeremy Deller’s billboard in Swansea, 2014

Artwork: Jeremy Deller’s billboard in Swansea, 2014

Yes—whether it’s actual poetry, a way of seeing the world, or a way to reach out to others on the street—we could do with some more poetry in the world.

British artist Jeremy Deller’s billboard pasting was created in 2014 on a large wall of Swansea’s Quadrant Shopping Centre, UK. It was commissioned as part of a celebration of the centenary of poet Dylan Thomas’s birth.

the secret garden of the pyramid

Image: @jr, The Secret Garden of the Pyramid, Paris, 2019

Image: @jr, The Secret Garden of the Pyramid, Paris, 2019

The beauty of street art—its life is shaped by the street.

 It might get pasted or painted over, tagged, torn down, hosed off, collapsed with a building, get worn by the elements, or it might last for a very long time. 

Artist JR knows this. To celebrate 30 years of the Louvre pyramid designed by architect I.M. Pei, he created alongside 400 volunteers, an optical illusion paste-up on a massive scale called, The Secret Garden of the Pyramid. Made from 2000 sheets of recycled printed paper, the paste-up/collage provides a fantastical glimpse of what lies beneath the pyramid, as if the structure is emerging from an archaeological dig. 

But as JR wrote on IG the day the artwork was open to the public:  “Once pasted, the art piece lives on its own. The sun dries the light glue and with every step, people tear pieces of the fragile paper. The process is all about participation of volunteers, visitors, and souvenir catchers. This project is also about presence and absence, about reality and memories, about impermanence.”

Over the 3 days it has been visible the artwork has gradually been abraded by foot traffic and visitors tearing pieces away to take home as souvenirs. 

It was never meant to last. JR believes as a living artist, his artwork needs to be alive—to have a life of its own—which stands in stark contrast to the surrounding Louvre museum where artworks are collected and looked after in perpetuity. 

It was never meant to last, and that’s the beauty of this artwork. 

imagine

Artwork: Icy and Sot, imagine a world without borders, 2017

Artwork: Icy and Sot, imagine a world without borders, 2017

It’s #worldpoetryday, and while I’m not big on what feels like an arbitrary custom to highlight something for a day—like #worldenvironmentday should be every day, and pretty much any other cause that’s significant—here’s some poetry that goes beyond words: Icy and Sot’s installation, imagine a world without borders.

Originally from Tabriz, Iran, the sibling artists started out stencilling on the streets of their home city and now live in New York, making work in a variety of mediums internationally. Engaging with issues such as gun violence, refugees, human rights, and environmental issues,, the duo’s public art has an underlying purpose to advocate freedom and hope for people worldwide, and raise awareness of issues relevant to our times.  

Check out their work at www.icyandsot.com.

eternal

Artwork: Christian Guemy (C215, @christianguemy)

Artwork: Christian Guemy (C215, @christianguemy)

Just a reminder this morning from one of my fave street artists, Christian Guemy (C215, @christianguemy), of what’s eternal and necessary:

“Paris, eternal city of love. Love is what we need, more than ever...”

Deep Seads

Image: Underwater mural by Sean Yoro from his Deep Seads project, 2019

Image: Underwater mural by Sean Yoro from his Deep Seads project, 2019

Sean Yoro’s (@the_hula) next art project goes deep underwater. 

Wanting to make a difference to the degradation of coral reefs due to environmental factors, human activity in the oceans and pollution, Yoro’s Deep Seads project involves freediving to create underwater mural reefs. These artificial reefs are intended to help jump start marine growth, potentially becoming thriving reef sites for a multitude of different organisms. Importantly, all materials Yoro employs, including the pigment sticks, are eco-friendly and safe for marine ecosystems. 

For more images and the video accompanying the project, check out Yoro’s website: https://www.kapucollective.com/works/deepseads

pipsqueak was here!!!

image: paste-up by @pipsqueakwashere

image: paste-up by @pipsqueakwashere

Just a girl and her bear and…friends!

Love the duo behind @pipsqueakwashere. If you’ve ever read Philip Pullman’s amazing His Dark Materials trilogy beginning with Northern Lights, the concept of having a deamon, an animal companion that represents your inner-self or soul, is beautiful. This girl and her bear that features throughout their work, reminds me exactly of that.

I wouldn’t mind the bear, but I bet mine would be a cat, maybe even a panther! 

the breath of life

Artwork: mural by millo, Hongi—the breath of life, New Zealand, 2019

Artwork: mural by millo, Hongithe breath of life, New Zealand, 2019

Having been to New Zealand a couple of times, this resonates: @_millo_ has just completed a gorgeous new mural in Whangarei, NZ, titled Hongithe breath of life

 Millo explains:

“HONGI is the traditional Māori greeting in New Zealand. It is done by pressing one's nose and forehead (at the same time) to another person at an encounter.

During the hongi, the ‘ha’, or breath of life is exchanged and intermingled. 
The breath of life is also considered the sharing of both parties' souls.

Through the exchange of this physical greeting, one is no longer considered ‘manuhiri’ visitor, but rather ‘tangata whenua’, one of the people of the land.”

honesty

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Kind of love this. Yves Tumor’s track Honesty from his album Safe in the Hands of Love (2018). It hooks in and I keep wanting to listen to it—sizzling, funky and just a bit trippy. Check it out.

cat walk

Artwork: mural by Seth, Cat Walk, Shanghai

Artwork: mural by Seth, Cat Walk, Shanghai

Another gorgeous artwork by Seth (@seth_globepainter) titled Cat Walk, one of his paintings made in an old district of Shanghai. 

It’s the black cat that I love!

make love

Artwork: mural by Alice Pasquini, make love not war

Artwork: mural by Alice Pasquini, make love not war

“make love not war” mural by Alice Pasquini (@alicepasquini).

Awesome.


breath & grace

As part of an end of year round-up, the team at NOWNESS (https://www.nowness.com) has produced a series, 12 Days of Performance, featuring dancers, musicians, and prominent creative individuals, such as Sergei Polunin in this “capsule performance”, directed by Bunny Kinney. Simply gorgeous.

with joy

Image: @murmurestreet, L’enfance de l’art : Paris

Image: @murmurestreet, L’enfance de l’art : Paris

Whatever you believe in—peace, love, creativity, freedom—here's to celebrating whatever matters most to each of us, and hopefully with the people who matter most in the coming holidays. With joy.

butterfly

Image: @exogalaxies

Image: @exogalaxies

Butterfly nebula. Just a reminder of the beauty that’s out there.

stellar axis

Artwork: Stellar Axis: Antarctica, Lita Albuquerque, 2006

Artwork: Stellar Axis: Antarctica, Lita Albuquerque, 2006

Stellar Axis; Antarctica was created by Californian based artist Lita Albuquerque in 2006 as an incredibly ambitious ephemeral art project inspired by Albuquerque questioning the place of humans in the enormity of infinite space and time. 

The installation was created in Antarctica at the Ross Ice Shelf, and later replicated in the North Pole. It was comprised of 99 blue spherical structures arranged on polar ice calculated exactly to align with 99 stars. Each sphere’s diameter correlated to the relative brightness of each star. The installation was in effect a stellar map on Antarctic ice. And as the planet rotated on its axis, the alignment of spheres and stars shifted, creating a spiral of motion at the South Pole. This motion was enacted in a performance where 51 scientists and technicians from the nearby McMurdo Station research facility walked the spiral path of the spheres, their feet visibly tracing the unseen relationship of the planet, stars, and humans.

Albuquerque speaks about these epic connections in her art practice:

Artwork: Stellar Axis: Antarctica, Lita Albuquerque, 2006

Artwork: Stellar Axis: Antarctica, Lita Albuquerque, 2006

"I am interested in change of scale: how the observer affects the object of observation; space as a void; non-space existing in time. By altering the scale and context of the grid (as a scientific tool of measurement), the grid becomes an artistic tool of perception.

The fossilized brachiopod from three hundred millions years ago appears to be an ancient remnant of star, waiting to be transformed back to its stellar origin.

Some brittle stars exist in the Antarctic and Arctic, and some are found even in the deepest parts of the ocean where there is no sunlight. Others have exquisitely developed crystalline lenses, formed from the bone in their skeletons, which focus light inside their bodies and enable them to see.

But this is not blackness, it is full of something from long ago with the potential of something yet to be.'"
(quote source: domus)

city of flowers in the sky

Inspired by Botticelli’s painting in the Uffizi, La Primavera, artist Cia Guo-Quiang (@caistudio) created a fireworks spectacle in Florence at the Piazzale Michelangelo, City of Flowers in the Sky which also marked the opening of his exhibition at the Uffizi, Flora Commedia, from November 20, 2018 until February 17, 2019. Magic.