From @cococapitan: “be living is believing you live what you believe”.
Ummm...kind of never stopped living/believing stories...
From @cococapitan: “be living is believing you live what you believe”.
Ummm...kind of never stopped living/believing stories...
Mood. Love my 5preview t-shirt, been wearing their stuff for ages.
Open up to Infinity.
Totally.
Every day I'm reminded of what matters. I wear my Lise Vanrycke “Love” bracelet 24/7. It's a bit battered (sorry LVR!), but it's always there on my wrist so I never forget what's important.
The cuff I also wear every day, and for ages I thought the matrixy-glyphs were just a pattern until my friend, Hanna, pointed out they were Chinese characters! She made out “truth”, “love” and “know”, and I was so intrigued, I contacted the jeweller, Camilla Gough, and asked for the full text. She replied that she'd lifted the text from a Chinese newspaper and was simply relieved to know she hadn't inscribed the recipe for two-minute noodles on my bracelet! Huh!
It was a relief for me as well :)
Occasionally great oddball stuff crops up on IG, so while I was looking for some new street art, I came across this: French band, Dionysos' album cover, Vampire En Pyjama. I burst out laughing (well, it appealed to my twisty sense of humour), and given my love of vamps (at least in books and films), I went in search of the album. Sadly, the music did nothing for me, but the visual of a lone vamp brooding in his abode and wearing his jammies definitely made up for it.
But it did bring to mind a song by Avey Tare's Slasher Flicks—Little Fang. With its vamp-positive message, this wonderfully wonky song is about the journeys of a cat vampire called, Little Fang. It's been a roller-coaster of a week, so I kind of want to end it on a light-hearted note. Enjoy!
Artwork: by @phlegm_art
So, I was walking down Chapel Street the other day (probably one of my least favourite streets in Melbourne!), and halfway between the fashionista and the grunge end, I happened to look up and saw this: a pretty remarkable artwork by @phlegm_art.
It made being there worthwhile. Almost.
Got my new Chucks! I live in sneakers and jeans—so happy feet, especially as the last pair died a dirty death.
Simple and happy :)
Artist Sean Yoro's—aka the hula (@the_hula)—new mural was created in a burnt forest in the US that had recently been devastated by wildfires. He was inspired by, “the need to grow new thoughts on preserving and protecting our lands.”
He wrote this on IG:
“2017 saw 9.8 million acres of land burned in the US alone. While Climate Change does add risks of wildfires, 80-90% are caused by direct human error including unattended campfires, burning of trash, discarded cigarettes, etc.
Please help preserve the healthy lands we do still have and support legislation to protect our recently taken Public Lands.”
It's Virginia Woolf's birthday today and Ursula Le Guin recently passed away. Such literary greats. Just last week I was thinking about re-reading Le Guin's novel, Lavinia. A retelling of Virgil's Aeneid from the perspective of Lavinia, the daughter of King Latinus and Queen Amata, and the future bride of Turnus, who never once speaks in the original tale, but in Le Guin's book, is given her own voice.
Here's Le Guin's view on being called a “science fiction” writer, and about the genre in general from The Paris Review, 'Art of Fiction no. 221':
“I don't think science fiction is a very good name for it, but it's the name that we've got. It is different from other kinds of writing, I suppose, so it deserves a name of its own. But where I can get prickly and combative is if I'm just called a sci-fi writer. I'm not. I'm a novelist and poet. Don't shove me into your damn pigeonhole, where I don't fit, because I'm all over. My tentacles are coming out of the pigeonhole in all directions.”
Love these words, love her writing, and I couldn't agree more about being pigeonholed. And yes, she was an incredible novelist and poet.
Feeling a little dark and moody. Partly due to reading way too much about Trump and his first year in office (God, I can't believe it's only been a year!). The NYT editorial particularly left me feeling like a lead weight had taken residence in my gut.
Not sure whether this is exacerbating my mood or providing an escape (a bit of both!)—Massive Attack's brilliant album, Mezzanine.
Disquieting, shadowy, brutal and beautiful.
Here's one of the standout tracks for me: Angel.
Yep, this about sums it up.
The alternative 'nostalgia' cover art
It's HOT. If I go outside I pretty much melt into a freaking puddle. So, I've been holed up under the AC (bliss & very grateful for it right now!) to work, occasionally checking out to chill and listen to one of my all-time favourite albums, Frank Ocean's Channel Orange. It was love-at-first-listen and continues to enthral—that voice!—with his compelling lyrical storytelling.
Ocean once said : “[Storytelling’s] the more interesting part about making music for me, or making albums and songs and stuff. So much so that I might not make another album. I might just write a novel next.”
That was before the drop of Blonde and Endless. I love the idea of him writing a novel! And hopefully, more music.
Here's a small taste: Sweet Life.
Image: photograph by @isaacexplores & featured on @universetoday
New moon. New beginnings. New intentions.
And contemplating the cosmic, some wise words from Carl Sagan:
“For small creatures such as we the vastness is bearable only through love”'
(@_nitch)
Artwork: wall mural, Curiosity Feeds Imagination by @mantrarea, 2016
For book lovers, readers and dreamers, this amazing wall titled, Curiosity Feeds Imagination by @mantrarea, created for the Kufa Urban Art, Esch festival in 2016.
Artwork: Akiko Ikeuchi, Knotted Thread, 2011
Red: primary and primal.
The colour of blood; what’s basic to life. It’s a colour associated with passion, love, anger and pain. It’s chromatically intense and draws the eye whether you see it in nature or on the street.
Discovering the work of Japanese artist, Akiko Ikeuchi, what jumped out at me was her use of red thread. Some of her sculptural installations feature white or black thread, but it’s her red thread pieces that drew me in.
Artwork: detail of Akiko Ikeuchi, Knotted Thread, 2011
Using delicate silk thread, Ikeuchi meticulously plans her thread sculptures using 3-D modelling and knots them by hand. The construction is then anchored in space and oriented by geomagnetism: north, south, east and west. These webs have associations with natural phenomenon: whirlpools, hurricanes and galaxies. With the energies of life. Ikeuchi’s creations limn what is seen and unseen; what is tangible and intangible. The viewer engages with the piece through their very movements: the threads vibrate with the air, the changes of humidity, by breath.
Artwork: detail of Akiko Ikeuchi, Knotted Thread, 2011
In Ikeuchi’s words: “I am continuously trying to mediate something invisible, not easily visible in this world, which is mostly fragile.”
As for the colour red, what I found fascinating is the similarity with two other Asian artists I’ve written about in ‘Art Stories’, both featuring red thread in their art.
For Chiharu Shiota, the red thread is a symbol of connection, the “ocean of life”: “It’s like a red ocean you can see from the top. When people look in the space, they immediately can see the universe.” Specifically relating to her installation for the Japanese Pavilion at the Venice Biennale, The Key in the Hand (2015), the threads signify the connection of humans throughout the world by red threads.
This is similar to Beili Lu’s Lure/Wave (2010) installation, except she’s referring to a specific Chinese folk legend, The Red Thread of Fate. It tells of how when children are born, invisible red threads connect them to their soul mates. Over the years, their lives become closer until they eventually find each other, overcoming social and physical divides that might otherwise separate them. This magical cord might stretch and tangle, but will never break. There's a comparable Japanese folk legend, but it extends to all relationships, whether friendships, family, or couples.
I’ve yet to unravel the significance of the red thread for Ikeuchi, but I have a feeling it stems from the life force of the energies she works with to create her exquisite art.
Guillermo del Toro’s film, The Shape of Water is magic.
Part fairytale, part myth, the story of Eliza Esposito—the princess without a voice—a janitor at a government facility, and the amphibious creature from South America she falls in love with, has a quirky humour and aesthetic that reminded me of the films of Jean-Pierre Jeunet (Amelie, The City of Lost Children, A Very Long Engagement), laced with a dark and haunting lyricism. It’s a film that doesn’t shy away from issues of loneliness, isolation, discrimination, politics, race, and the violence and ugliness perpetrated on people (and creatures) deemed different. And what it means to be human; to be truly seen.
While I don’t want to ruin this film for anyone who hasn’t seen it, it’s the poem recited at the end that encapsulates the heart of this gorgeous tale of love, longing and transformation:
Unable to perceive the shape of you
I find You all around me.
Your presence fills my eyes with
Your love. It humbles my heart,
For You are everywhere…
I've been buying t-shirts and sweaters from this “nice and cool” small business, SALT SURF, for a few years now. I love the pared down aesthetics, the DIY philosophy, and the inclusiveness and environmental awareness of SALT SURF.
Today I got their New Year's Resolution through IG and email and I wanted to share it, simply because it resonated and it's pretty awesome.
Here it is:
“Last week I read a quote by Anais Nin that hasn't quite left me since I read it. It said "I could not live in any of the worlds offered to me... the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself." It sat with me for a while. The message kept coming back to my mind. I think we forget the power we all have to create the world we want to live in. It can sound too difficult to accomplish sometimes, and even at times outlandish, but the power of our thoughts to create our reality is real.
The inspiration behind SALT SURF was to create a world we believed could exist. An inclusive world, where people felt welcomed, inspired and motivated to join along, a world where nature inspired us, and where surfing could mean whatever you wanted it to mean to you. You could join this world, or create a world of your own that shared these same values wherever you lived in the world.
I think it’s easy to lose sight of this power we all have, and I think we as a brand neglected to highlight this point as much as we could have this past year. We hit a stride in some ways. We were smooth sailing. Things were good. But it’s also easy to get complacent when things are good. We also opened a shop and a lot of resources and energy went into getting that up and running. BUT, that’s not why we're here... that's not why SALT SURF started. We were born with a mission. So, 2018 is going to get us back on track. We're going to remember why we choose to be a small business. Why we had a mission to be inclusive in an industry that thrives on exclusivity. And why most importantly there must be love in everything that we do. So, this year we'll move forward by remembering why we started in the first place.”
-Nabil
Founder and owner of SALT SURF
8850 Washington Blvd, Culver City, CA saltsurf.com
This is great. Artist Morley (@official_morley) took his street art to another level—underwater!
On a trip to Hawaii, he and his wife decided to have an ocean adventure. They got in a cage underwater to check out some swarming sharks. While there, he stuck his hand outside the cage with one of his laminated artworks and took a photo.
And this is what he had to say about it:
“The message speaks to how doubt can feel insurmountable. It can feel like a chasm filled with ever searching creatures looking only to consume your hope, your faith and your optimism. Some people- and some dreams- are worth the journey, no matter how perilous they prove to be”'
Artwork: C215 (Christian Guemy) L’amour triomphe de tout
Love conquers all.
I hope so for 2018.
Here's to love, peace, kindness, hope, grace, empathy; being brave, honest, thoughtful, giving—to being whoever you want to be; whoever you believe you were meant to be.
And don't forget your sense of humour! Laughter was a big antidote to some of the craziness that was 2017 :):)
Artwork: wall mural by @never1959
It's Eleven! I love Stranger Things, so this is a pretty awesome wall by @never1959.
Photo: @mattbroadwin
I seem to be bingeing on Pablo Neruda's poetry these days! I just had to share this. It's simply divine. From Neruda's Selected Poems, a poem plainly titled Poetry (La poesía), exploring Neruda's revelation about being a poet, about wanting to write poetry, the tentative first lines, and how it made him feel.
The third stanza is stunning:
And I, infinitesimal being,
drunk with the great starry
void,
likeness, image of
mystery,
felt myself a pure part
of the abyss,
I wheeled with the stars,
my heart broke loose on the wind.