South African artist Robin Rhode’s artwork combines street art, performance, storytelling, and a wonderful use of ephemeral mark making like chalk drawing, as well as unconventional methods incorporating bicycles and skateboards. In his work The Lightning Bird (2022) he is restaging mythologies to pass stories onto future generations.
He wrote this about his piece: “In some traditions, the lightning bird is believed to be a messenger of the gods, sent to deliver divine justice or punishment to those who have wronged others. It is said to strike down evildoers with bolts of lightning, leaving behind a trail of destruction in its wake.
Despite its fearsome reputation, the lightning bird is also revered for its role in the natural world. In many African cultures, storms are seen as necessary for cleansing the earth and replenishing the land with water, and the lightning bird is seen as a symbol of the cyclical nature of life and the power of renewal.
In some stories, brave heroes embark on quests to seek out the lightning bird, hoping to harness its power for their own purposes. Yet, the lightning bird remains elusive, appearing only when it chooses and disappearing just as quickly, leaving those who encounter it in awe of its majestic and terrifying presence.
In African mythology, the lightning bird serves as a reminder of the awe-inspiring forces of nature and the mysteries of the cosmos, inspiring both fear and wonder in those who dare to glimpse its power.”
To Breathe-Alula, 2024
A wonderful installation has been created for Desert X AlUla2024 in Saudi Arabia by Korean artist Kimsooja titled, To Breathe- AlUla. Kimsooja’s installations are often meditative spaces where she engages with the natural environment and the quality of light; blurring boundaries, and exploring ways of seeing where space seems to unfold so that solid surfaces and structures appear fluid and expansive. I wrote an art story of her Yorkshire Sculpture Park installation, also titled To Breathe, 2019. Viewers of the AIUla installation walk a spiral structure where light refracts into rainbows, the sky above, the desert sand beneath. Kimsooja often says in interviews that her interest is in “being nothing/nothingness and making nothing/nothingness”, where breath connects the viewer through the process of inhaling and exhaling with their surrounds, and the work of art itself.
Kimsooja said this about the Desert X installation: “To Breathe-AlUla” is a reflection on a conceptual and geometrical formation of the AlUla desert landscape. It reflects the movement of wind and the passage of light traversing through the spiral path of prismatic glass surface that becomes a fluid, translucent canvas. Sunlight unravels into an iridescent color spectrum, casting rainbow colored shadows and circular brushstrokes onto the sandy earth. Audiences partake in a contemplative performance by walking through and gazing at the shifting light spectrums, which render visible vibrations of light normally invisible to the naked eyes. A walk in and out of a contained yet open path of spiral unfolds an abstract lightscape that is at once a drawing, a painting, and a sculpture.”
Voice
Israeli artist Addam Yekutieli (aka Know Hope and @thisislimbo) whose work I’ve written about before, wrote these words on a wall and commented on the devastation happening in Gaza:
“No more safe zones left.
Harrowing images and testimonies coming out of Rafah. This is a moment that will be looked back upon in history. A threshold moment and a black stain on our collective morality. A moment in which our grief was weaponized to the point that we are rationalizing the decimation of an entire population.
Forget whichever hashtag or catchphrase that triggers your defense mechanisms or any other mental gymnastics routine that obstructs your view of seeing human beings as human beings. Don’t let apathy desensitize and metastasize your heart. Empathy is inherent in us. It is intrinsic and flows in our blood. Don’t lose your humanity and don’t look away. Our silence is complacency.”
Hegra Archaeological Site
Amazing ephemeral earth fresco created by David Popa (@david_popa_art) for the UNESCO World Heritage Site of Hegra (al-Hijr / Madā ͐ in Ṣāliḥ), located in AlUla, Saudi Arabia. David Popa wrote this about the artwork: “It is my largest and most challenging work to date - with each hand stretching over 100 meters in length as they cradle one of most iconic locations in Saudi Arabia. Created with ephemeral, natural materials I am extremely humbled to be part of the I Care campaign which invites the people of AlUIa to be guardians of their heritage and protect the past to build a beautiful, bright future. I am really looking forward to sharing more of the stories and memories of this unforgettable adventure. Stay tuned!”
White blue
Love this nod to Rothko! Street art by Oakoak (@oakoak_street_art), titled White Blue.
Keep on dreaming
Keep on dreaming…awesome wall mural by Kenny Random (@kennyrandom) in Padova, Italy. The cat especially makes me smile!
A Yoshitomo Nara Day
Would love a cloud to sleep on right now…😴
memorised by heart
I came across a story yesterday about a Russian translator and lecturer, Tatiana Grigorivna Gnedich, who in 1944 was arrested and sentenced to ten years in a Russian labour camp for treason to “the Soviet Motherland”. The facts of the sentence are not detailed. Up until that point Tatiana, having been born into a family of scholars and poets, was an exceptional translator and teacher of foreign languages, speaking fluent English and French. Prior to her imprisonment Tatiana had memorised in English the sixteen cantos of more than 16,000 thousand lines of Lord Byron’s epic poem, Don Juan. While in prison she was able to secure paper to write on and accomplished the extraordinary feat over several years of translating the memorised Don Juan into Russian. Upon her release Tatiana’s translation was published and became the classic Russian version of Byron’s poem.
Such an achievement of the human mind speaks of Tatiana’s love of language and brilliance as a translator, but also a strength of will that in such dehumanising conditions she was able to transcend to create something truly remarkable.
During English literature professor and critic George Steiner’s Gifford Lecture at Glasgow University in 1990, he spoke about this story and said, “There is nothing you can do to a human being who is like that. No state can touch this. No despair can touch it.” And what stood out for me were his words, “What you don’t know by heart, you haven’t loved deeply enough.”
the elopement
Another magical chalk drawing from David Zinn (@davidzinn), The Elopement. Very Romeo and Juliet!
Ara
Scottish artist Katie Paterson’s artwork melds a poetic sensibility with philosophical and scientific inquiry. Spanning thematic explorations of nature, geology, technology, and cosmology, Paterson’s research-based projects often involve collaborations with specialists in astronomy, astrophysics, genetics, and nanotechnology. At its core, her work considers humanity’s place on earth and within the cosmos in relation to the concept of time.
I was initially drawn to one of Paterson’s artworks that I wrote an art story for, Vatnajökull (the sound of), 2007-8, where a live phone line was connected to an Icelandic glacier, via an underwater microphone submerged in Jökulsárlón lagoon. For the exhibition’s duration, anyone from around the world could call the number 07757001122 to hear the glacier as the ice melted. The strangeness, immediacy, even audacity of the project showcased another key aspect of Paterson’s work: bringing the viewer and the natural world into a close encounter, scaling what is often immense to an intimate and relatable dimension.
An especially poetic work in its simplicity and evocativeness, Ara (2016), features a string of festoon lights where each bulb produces a luminosity relative to the brightness of every star in a constellation. Ara forms part of a series recreating all 88 constellations, again creating a bridge between the cosmos and humanity; connecting us to what seems unknowable, distant and sublime.
one day, I chose blue
A poem inspired by Korean artist Shim Moon-Seup’s painting:
one day, I chose blue
not for any reason
but the feeling
of so many memories
wrapped in the sea
and sky—
from the most intense
hue, to faded light
perhaps it wasn’t
even a choice, it was
simple and right
(Shim Moon-Seup, The Presentation, Acrylic on canvas, 2018)
Give Love
Scrabble graffiti by@wordsbywabisabi. Give Love. Give. Love. Add Peace into the mix and 2024 sounds hopeful.
Light and Freedom
Street artist Millo recently created this beautiful mural in Rabat, Morocco, for the Rabat Street Art Festival. He wrote this about the experience:
”Rabat known also as the city of light, Ville lumière, it’s the kingdom’s capital and recently also the African capital of culture, with its cosmopolitan elegant avenues and its blend of modern and traditional Islamic aesthetics.
The wall is located on one of the main thoroughfares of the city, on a building mainly occupied by people undergoing oncology treatment due to the nearby hospital.
My character is holding the traditional, intricately patterned, Moroccan lantern, fanoos, from whose butterflies flies freely.
’Light’ and ‘freedom’, two powerful words if you put them together, especially in this so much needed moment.”
Le lac des cygnes
As part of the lead up to Christmas, Paris-based street artist OAK OAK (@oakoak_street_art) is creating a street version of an Advent calendar, creating a new work for each of the 24 days. Day 7 was this humorous and poetic work, Le lac des cygnes.
Glider
Starting to feel like summer…great mural by NEAN (@nean_kingdom) titled Glider for The Walls Project in Wicklow, Ireland.
My Blue Moon
Pakistani artist, Waqas Khan’s work is about love. He recounts a story from his childhood where the village elders would gather and tell stories of Sufi saints, and Khan reflects that what resonated for him was the great quality of these saints being their universal love. Khan says of the experience: “People would come and sit in the communal space and sing about the Sufis. I was the kid holding the cups of tea. They would just talk about the good things for everybody in this world—love, peace and kindness. Sufi for me is behaviour, how you are with others.”
The word that comes to mind when encountering Khan’s work is sublime. Not the overwhelming sense of awe and terror, of an unknown natural force. While his work has a beauty ascribed to the sublime, it relates more to tranquility, a sense of the infinite as if engaging in a meditative experience with the potential to alter one’s perception of the universe, of life.
Khan began his art career in college in Lahore focused on the figurative miniaturist art from the 17th century. He adapted the precision and delicacy to his abstract process of creating minute, hand drawn circles on archival paper that requires dedication and patience of numerous hours of painstaking work, and that evolves into these patterns, both mathematical and uniquely organic in their cosmology. I’ve written two art stories for Khan’s mesmerising works: Tranquil Pool, 2012, and Breath of The Compassionate IV, 2014. Khan was recently featured in a group exhibition in Rome, TIME FUTURE: Memories, Past and Present (Alberto di Castro, Rome, December 1 2023 – January 20, 2024). Here is an exquisite work featuring one of my favourite hues of blue, ultramarine blue (deepening towards Prussian blue in this artwork), titled My Blue Moon, 2023.
Late Fragment
A simply beautiful poem by Raymond Carver, Late Fragment:
And did you get what
you wanted from this life, even so?
I did.
And what did you want?
To call myself beloved, to feel myself
beloved on this earth.
A Yoshitomo Nara Day
World peace…I wish…
The Map of Love
The Map of Love is a beautifully written and profoundly engaging novel; one of my very favourites I read again and again. Egyptian writer Ahdaf Soueif weaves a love story, both past and present, with the the political history and current tensions in the place of her birth, Cairo, Egypt. Using different textual forms and voices, this tale set predominantly in 1900, is a story of worlds colliding as Lady Anna Winterbourne travels to Egypt where she falls in love with Sharif, an Egyptian Nationalist who has dedicated his life to the cause of his country and its liberation. Decades later, Isabel Parkman, a descendent of Anna and Sharif, makes the journey to Egypt with an old family trunk full of books and journals which reveals her ancestors’ story.
A passage from the book has always resonated for me and which speaks to the essence of this tale: the many meanings of “love” in Arabic:
“‘Hubb’ is love, ‘ishq’ is love that entwines two people together, ‘shaghaf’ is love that nests in the chambers of the heart. ‘hayam’ is love that wanders the earth, ‘teeh’ is love in which you lose yourself, ‘walah’ is love that carries sorrow within it, ‘sababah’ is love that exudes from your pores, ‘hawa’ is love the shares its name with ‘air’ and with ‘falling’, ‘gharam’ is love that is willing to pay the price.”
Drawing Parallels
Drawing Parallels is a three-part short film series exploring the creative collaboration of Album Surf and KORUA, and the idea of drawing parallels between surf and snow. The first film focuses on the art-making process via a discussion between Matt Parker (Album) and Aaron Schwartz (KORUA), a meditation on art, board design, functionality and the beauty of collaboration. The second film explores a trip to Mammoth Mountain with Matt Parker and the Album family, accompanied by Nicholas Wolken and Aaron Schwartz (Korua), showcasing how the custom artist boards meet the snow. Enjoy!
(Third film yet to be released.)