Orka

At the end of last year, a short film was released by AM Art Films delving into the artistic universe of French artist, Charlotte Charbonnel. I’ve written previously on her work, notably an art story, Nebula I (2014, here). The film, Orka: force, énergie en Islandais (Orka: force, energy in Iceland) is an immersive and atmospheric journey documenting a trip in June 2024 made by Charbonnel and a film crew to Northern Iceland. The purpose was to explore the invisible and transforming elements such as minerals, water and sound waves that Charbonnel harnesses to create works of poetic resonance and sensory experiments.

In Iceland “orka” means strength, energy, and the film surveys the power of natural energies and the intersection of art and science. The film showcases many of Charbonnel’s artworks, such as Resonarium (2011), where iron shards form a slime that slowly animates, creating a hypnotic interaction of animal plant and mineral elements.

Throughout the film, Charbonnel’s voice whispers (no subtitles), weaving sound and words that evocatively relates to the artwork depicted, such as vapour, vibration, seismology, turbulence, smoke, magnetism, invisible forces, gravity, frequency, resonance, imagination, astral, texture, matter, impermanence, continuum, cosmology and magic.

Watch, listen, and absorb this brilliant artist’s work and fascination with the essence of creation itself.

Hon (Here)

I first came across Lebanese musician Yasmine Hamdan watching Jim Jarmusch’s film, Only Lovers Left Alive, a brilliant, quirky vampire love story. One of the songs featured was Hal from Yasmine’s album Ya Nass. Both Yasmine’s voice and the song were mesmerising. A few days ago, Yasmine released a single, Hon (Here). It is a song about “A tiny land/With a gaping wound”; beautiful, poetic and heartbreaking. The video is a wonderful animation with subtitles, but here are the lyrics as well:

What happened here?

A collapse

And a mountain of love

Day after day

I am questioning my phone

There is a dead body in my bedroom

Every day they rehearse their killing

I can’t dissociate

Done

What’s left to say

A tiny land

With a gaping wound

Some people linger

And some go absent

Clouds in the living room

Darkness sitting with me

My body is shaking and the TV is on

Done

What’s left to say

A tiny land

With a gaping wound

Some people linger

And some go absent

A Yoshitomo Nara Day

Artwork: Yoshitomo Nara, In the Milke Lake/Thinking One, 2011

Some days I just feel like closing my eyes and shutting the world out…

Running with wolves

Artwork: Kenny Random, running with wolves, Padova, 2025

Italian artist Kenny Random loves the moon. He titled this artwork, Running with wolves. Beautiful.

Chasm

Artwork by Adam Yekuteli, 2025 (@thisislimbo)

I’ve written about Israeli artist Adam Yekuteli’s (aka Know Hope) art before, especially his street art, and how his work delves into the incredibly difficult areas of the relationships between Palestinians, Israelis, the land and each other. His compassion and humanity guides his work, and since October 7 2023, the crisis in his country has been torturous to face, knowing what his people have been inflicting on the Palestinians in Gaza and the West Bank. Yekuteli wrote this recently and I wanted to post it, as he offers a unique perspective:

“Over the past two weeks, my feed has been full of videos of people returning to their homes in north Gaza. Rivers of people—families carrying belongings, children, the elderly, people on crutches and in wheelchairs—walking through a landscape of rubble after many months of survival and displacement. Most don’t have homes to return to, and many find the remains of dead relatives, whom they haven’t been able to bury and mourn, trapped under rubble.

For years, I’ve heard of a hilltop viewpoint in Sderot, a city in the Gaza Envelope overlooking the Gaza border, where people come to look at the bombardments. I found it hard to believe such a cynical place exists, so while working on a project in the south, I decided to see it for myself.

As I pulled up, I saw buses in the parking area and dozens of people making their way up the hill as if they were on a field trip. I, too, walked up to find multiple tour groups filling the space. One group was people around my parents’ age, and another was of teenage American yeshiva girls. Both had guides speaking about the events of Oct. 7th and past and present mythologies of Israeli military activity.

At the viewpoint were binoculars, through which one could see Jabalia, Beit Lahiya, and Beit Hanoun, for 5 NIS ($1.50). As guides spoke, people took turns looking through and moving on, largely disaffected.

As they peered at the chasm of human extermination, I wondered if, within this sea of destruction and erasure, they could see any of these people returning to their homes, even if only as small dots moving in the scenery. Lives existing. I wondered if they could see them as human beings, imagining themselves in their place, and perhaps reversing the situation by imagining someone peering through binoculars, watching them from a removed distance.

As we’ve all continued to live our lives alongside this for the past 16 months, I don’t think we fully grasp the depth of the reckoning our society will have to face for generations. Maybe someone who peered through saw, for the first time, what has long been an abstract entity to many—that this reality is real, and that real people are living, suffering, and surviving in it.”

Buy Art

Artwork: By Johnny Otto, 2024

Hilarious. Words by Johnny Otto (@ottophobia). Made me smile 😊

Quiet

Artwork: Mural by Millo, Quiet, Torino, Italy, 2024

Wonderful mural by Millo in Torino, Italy, that he had the chance to repaint after 10 years! It’s called Quiet, and Millo wrote this about it:

“Not everyday you get the chance to paint again in the same place, imagine on the same wall.
It has been really moving to be back 10 years later and see how much people got emotionally attached to my artworks and how strongly are supporting me now.

Hopefully this new Quiet version will last longer!”

Never Forget

January 27 2025 marks the 80th anniversary of the liberation of around 7,000 prisoners remaining at Auschwitz-Birkenau concentration and extermination camp by soldiers of the Red Army, a day known as Holocaust Memorial Day. At the Auschwitz-Birkenau Museum to mark this event, there was the inclusion of a freight car used to transport people to the camps as part of the ceremony. Nine years ago, Italian artist ERON created a spray artwork on a similar freight car of a portrait of Anne Frank to commemorate this day. The title of the work is Soul of the Train, and here is a short video documenting its creation.

We are here

Artwork: Installation by Seth, Petit Palais Musée, Paris, 2025

Recently, French artist Seth participated in a group exhibition titled We Are Here coordinated by Galerie Itinerrance and the Petit Palais Musée in Paris. This wonderful room features Seth’s sculptural works and paintings. The central stack of books supporting the boy with his head in the portal to other worlds is perfect!

A Just Peace

Artwork: By Banksy, Bethlehem, c.2019-22

Banksy in Bethlehem (c.2019-2022), stencil work on point, “A Just Peace, Not Just a Piece” and “Just Remove It”.

Caryatids Crying

Fascinating video of Greek artist INO (www.ino.net/) and his incredible process of creating the mural Caryatids Crying in Athens, Greece 2024. A cryptic but suggestive note was added to the video about its creation and inspiration, that the caryatids are crying because (Ancient Greek sculptural female figures that acted as architectural support): “1 - looks towards the Acropolis 2 - looks at society nowadays 3 - looks towards the Parliament of Greece.”

Valley of Fire

Image: Film still from Emily Jacir video, Valley of Fire, January 5, 2025

Palestinian artist Emily Jacir who lives in Bethlehem posted on IG a short video of driving through what seems a barren landscape called Valley of Fire, accompanied by these words:

“we don't have bomb shelters, nor do we have rocket alarms or missile sirens. we wake up hourly in the night from explosions in the skies above and in the world around us, the windows rattling in their frames.

morning comes and we go on as normal.”

A Yoshitomo Nara Day

Artwork: Drawing by Yoshitomo Nara, June 2024

A quick artwork (that makes me think ‘my mind, open to the sky’) by Yoshitomo Nara at a live drawing/music event titled A night OWL like a FISH at Hirosaki Museum of Contemporary Art in June 2024, with music by Kazuhide Yamaji and Sakana Hosmoi.

a new year

Artwork: Street art by Kenny Random, Padova, Italy, 2024

For this new year, more freedom, more love, more creativity, and hopefully, more peace. ❤️

Gift Exchange

Artwork: David Zinn, Gift Exchange, Ann Arbor, Michigan, 2024

It’s the time of giving and sharing and hopefully hanging out with people you love and care about. Street artist David Zinn excels himself with this recent gift-giving inspired piece, where Nadine the intrepid mouse exchanges gifts with her neighbour. Sending out happy vibes for Christmas and the holidays, and wishing for peace and love in this world. 😊

Le Tigre

Artwork: Paste-up by SONAC, Le Tigre de Sumatra, Grenoble, France, 2024

Love this! Street artist SONAC did this brilliant paste-up Le Tigre de Sumatra for the Grenoble Street Art Festival, at location Centre Commercial Neyrpic, 9 avenue Benoît Frachon, Saint Martin d'Hères.

Dreams of the Forest

Artwork: Kosei Komatsu, Dreams of the Forest, light installation, Taiwan, 20204

Japanese artist Kosei Komatsu’s recent installation Dreams of the Forest (2024-5) at the Dongxing Canal Light Art Festival in Taiwan shines a light in the dark. A small hut positioned outside on a bridge over a canal, a single light bulb swings back and forth casting shadows and illuminating the cut-out paper butterflies on the wall. It is surreal, intimate, stunning and simple. Komatsu’s art works with nature, the elements, movement, and light to create ethereal and exquisite installations. Komatsu wrote this about the Dreams of the Forest:

“This work was created during the Covid-19 pandemic. While in home-quarantine, we discovered that time suddenly felt abundant. The image of the small house brings back memories of visiting my mother’s old home in the mountain. As a child I would play in the forest. The lights danced on the ground. Everything was so beautiful.

Artwork: Kosei Komatsu, Dreams of the Forest, light installation, Taiwan, 20204 (internal view of little house)

Yet at night, the forest turned into a dark, terrible place. Staying indoors, I enjoyed watching the shadows of insects projected on the wall. These images awakened long-forgotten memories, bringing those moments back to life. I hope every viewer finds their own stories in the little house and the forest, rekindling the innocence and imagination of childhood.”

forgive me

Photograph take by Emily Jacir, the sky and smoke above Bethlehem, 2024

Palestinian artist Emily Jacir (I wrote an art story for her work Memorial here) posted these words and a heartbreaking recording on IG today of a father and his children calling out to each other as they were being bombed: “They murdered their father. Day after day after day after day the world does absolutely nothing.”

It was a despairing lament thrown out to the world and it hit me as the words came to me, “We have not forgotten.” Even as the end of the year comes and Christmas is a few days away, this felt like a plea and reminder to not forget what is happening in Gaza. There is a reason why after the Holocaust in WWII the words “Never again.” and “Never forget.” were spoken and written and passed down through generations.

I wrote this poem a while ago, needing to say something, again using some of the words of a Palestinian man going through this horror:

forgive me, he wrote,
for interrupting your day
but we are being killed

I cannot find the words 
but those I read daily
and the images 
I can never unsee
and they haunt 
as they should—
forgive me 
for interrupting

of flames
of hands reaching out
of tents burning
and so many
trapped inside
of the screams 
and cries
an unending sorrow
a grief 
that can never 
be assuaged—
forgive me
will this never end? 

Love Story

Artwork: Wael Shawky, film still featuring dancing lions, Love Story, video installation, 2024

Egyptian artist Wael Shawky’s recent exhibition at Daegu Art Museum in Korea brings together the hallmarks of his practice such as film, performance and sculptural installations to explore the intertwining of mythology and the telling of history (especially the impact of colonialism), of memory and imagination, and how these elements shape cultural, national and religious identities in specific regions.

The three video installations featured include a new work made for this exhibition, Love Story (2024), and two previously shown works: Al Araba Al Madfuna I (2012), and I Am Hymns of the New Temples (2023). Mythology and storytelling are the common threads across these videos spanning the regions of Korea, Egypt, and the ancient Italian city of Pompeii, respectively. Shawky describes the current exhibition as an exploration of “how the metaphysical world is connected to our lives,” incorporating his ongoing interest in examining how concepts such as love, supernatural beings, and faith in gods are woven into modern life.

The new video installation Love Story reinterprets Korea’s oral folktales and traditional fairy tales through the three stories, Silkworm Princess, Gold Ax, Silver Ax, and The Rabbit’s Trial. Utilising the Korean pansori storytelling tradition—a form of musical storytelling with a singer and drummer—interacting with traditional lion dancing, Shawky illustrates how the opposing worlds of the material and non-material coexist within a single narrative, and how love as an abstract concept is made manifest in this world.

hold the moon

Artwork: Mural by Kenny Random, Padova, Italy 2024

Another poetic, nocturnal mural from Kenny Random (@kennyrandom) in Padova, Italy.